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PrevPreviousLGBT rights still a fight in Italy, by Dario Pio Muccilli – The Red Hook Star-Revue

Italy’s LGBT community is in turmoil because of a great controversy a would-be law is causing. The DDL Zan (DDL stands for decree) is a bill which would create new categories of crime based on sexual and gender discrimination, adding to the already existing hate crimes punished by the Italian state.

Alessandro Zan, the signatory of the law and an MP, has pushed all the people from the LGBT community to publicly support his efforts. As a result, students, TV anchors, broadcasts, writers, artists and musicians have created momentum in favor of what would be a historic law.

Opponents to this would-be revolution are the right-wing parties including the Brothers of Italy and the League. They are strong in the Italian Senate are filibustering in every possible place. The traditionalist electorate claim the law is against liberty and promotes a “gender ideology”.

The issue of free-speech, a basic value for any democracy, is disputed by both sides. An article was added by Zan’s side in order not to punish those who believe traditional family is the only one possible or that a gay couple is not able to raise children.

What is striking is that the usual Italian gay organizations played only a minor role in the whole scenario. ArciGay and GayLib are the organizations that usually represent gays of the center-left and the center-right.

ArciGay is actually way more older and well-structured than GayLib and the LGBT community in the country is mainly leftist, but ArciGay failed to play the role of protagonist.

This, according to Davide Betti Balducci, former GayLib coordinator, is due to the “fact that both the groups have become very political and are more interested in moving LGBT voters to certain parties rather than those parties to the LGBT voters, leading to an erosion of the trust towards them.”

As a consequence, many gay activists went it alone or directly through center-left parties. Today in the Italian scenario it is possible to see different LGBT activists separated by political divisions across the community.

While that might be easily regarded as normal in every community and indeed witness the evolution of it, there are some activists who last January founded the Gay Party.

Davide Betti Balducci was one of them and in his mind it is clear why they had to do so. “What we aimed to do is lobby, as in every civil nation. Many times they (the traditionalists) accuse us of having built a secret lobby to influence the media and the parties in favour of gay rights. They’ve said such lies for ages to such an extent that eventually we decided to do so, but publicly. You may say that other organizations still exist now, but being politically committed they represent in my opinion almost the 2 or 3% percent of the LGBT people, as regarded as the politicized one, that is not our would-be-electorate”.

Indeed one of the catchy sentences the party uses for its campaign is “who are secretly gay will have the opportunity to do their coming out at the polls” and the party’s efforts seem to be directed towards a centrist LGBT electorate who often does not even come out as gay. “In the future we may reach 6% of the votes” Balducci says.

However, despite the calls for unity “Lgbt people should not be divided because they’re a family,” Betti Balducci doesn’t hide a certain discontent towards the usual LGBT associative realities which he portrays as “those who will be more in difficulty with our liberal revolution, because we will prompt them to work properly as they didn’t for years”.

This hostility is also visible by the lack of direct support to the Party from ArciGay or GayLib, whose silence has been incredibly loud. Betti Balducci argues that the main difference is that his party wants to change the way LGBT community communicates to the heterosexual or traditional public by using a more moderate and compromised language “because those Italians will be otherwise scared”.

Indeed, Italy is a country where  gay marriage or gay adoption is not yet legal and gays still suffer prejudice in society, especially in the lower classes. The strategy according to Betti Balducci should not be disruptive, but moderate, even if he totally agrees that both marriage and adoption should be achieved.

Obviously the political outcomes of such a practical commitment are a bet, as many Gay activists still prefer to be part of great parties rather than go on a party which, in Betti’s own words, houses people nonetheless of their political thoughts. That’s probably the reason why the party has not a precise economic policy, as it is clear when, asked about how the State should spend money coming from the European Union, Betti decides not to answer the question.

The danger in creating a party labelled gay is to ghettoize a community regardless of divergent political views. Being gay is not a parameter for a common political view as it is not so being heterosexual, and creating a lobby is far different from being a Party with political responsibilities.

Anyway, the party may effectively manage to have success. Italian politics has housed hundreds of parties in the latest decades and there’s plenty of space for another one, but it is indeed a pity for the LGBT community itself that during such a crucial period of its history a division is set between different activists about how to attain  their civil rights.

LGBT rights still a fight in Italy, by Dario Pio Muccilli – The Red Hook Star-Revue

Italy’s LGBT community is in turmoil because of a great controversy a would-be law is causing. The DDL Zan (DDL stands for decree) is a bill which would create new categories of crime based on sexual and gender discrimination, adding to the already existing hate crimes punished by the Italian state.

Alessandro Zan, the signatory of the law and an MP, has pushed all the people from the LGBT community to publicly support his efforts. As a result, students, TV anchors, broadcasts, writers, artists and musicians have created momentum in favor of what would be a historic law.

Opponents to this would-be revolution are the right-wing parties including the Brothers of Italy and the League. They are strong in the Italian Senate are filibustering in every possible place. The traditionalist electorate claim the law is against liberty and promotes a “gender ideology”.

The issue of free-speech, a basic value for any democracy, is disputed by both sides. An article was added by Zan’s side in order not to punish those who believe traditional family is the only one possible or that a gay couple is not able to raise children.

What is striking is that the usual Italian gay organizations played only a minor role in the whole scenario. ArciGay and GayLib are the organizations that usually represent gays of the center-left and the center-right.

ArciGay is actually way more older and well-structured than GayLib and the LGBT community in the country is mainly leftist, but ArciGay failed to play the role of protagonist.

This, according to Davide Betti Balducci, former GayLib coordinator, is due to the “fact that both the groups have become very political and are more interested in moving LGBT voters to certain parties rather than those parties to the LGBT voters, leading to an erosion of the trust towards them.”

As a consequence, many gay activists went it alone or directly through center-left parties. Today in the Italian scenario it is possible to see different LGBT activists separated by political divisions across the community.

While that might be easily regarded as normal in every community and indeed witness the evolution of it, there are some activists who last January founded the Gay Party.

Davide Betti Balducci was one of them and in his mind it is clear why they had to do so. “What we aimed to do is lobby, as in every civil nation. Many times they (the traditionalists) accuse us of having built a secret lobby to influence the media and the parties in favour of gay rights. They’ve said such lies for ages to such an extent that eventually we decided to do so, but publicly. You may say that other organizations still exist now, but being politically committed they represent in my opinion almost the 2 or 3% percent of the LGBT people, as regarded as the politicized one, that is not our would-be-electorate”.

Indeed one of the catchy sentences the party uses for its campaign is “who are secretly gay will have the opportunity to do their coming out at the polls” and the party’s efforts seem to be directed towards a centrist LGBT electorate who often does not even come out as gay. “In the future we may reach 6% of the votes” Balducci says.

However, despite the calls for unity “Lgbt people should not be divided because they’re a family,” Betti Balducci doesn’t hide a certain discontent towards the usual LGBT associative realities which he portrays as “those who will be more in difficulty with our liberal revolution, because we will prompt them to work properly as they didn’t for years”.

This hostility is also visible by the lack of direct support to the Party from ArciGay or GayLib, whose silence has been incredibly loud. Betti Balducci argues that the main difference is that his party wants to change the way LGBT community communicates to the heterosexual or traditional public by using a more moderate and compromised language “because those Italians will be otherwise scared”.

Indeed, Italy is a country where  gay marriage or gay adoption is not yet legal and gays still suffer prejudice in society, especially in the lower classes. The strategy according to Betti Balducci should not be disruptive, but moderate, even if he totally agrees that both marriage and adoption should be achieved.

Obviously the political outcomes of such a practical commitment are a bet, as many Gay activists still prefer to be part of great parties rather than go on a party which, in Betti’s own words, houses people nonetheless of their political thoughts. That’s probably the reason why the party has not a precise economic policy, as it is clear when, asked about how the State should spend money coming from the European Union, Betti decides not to answer the question.

The danger in creating a party labelled gay is to ghettoize a community regardless of divergent political views. Being gay is not a parameter for a common political view as it is not so being heterosexual, and creating a lobby is far different from being a Party with political responsibilities.

Anyway, the party may effectively manage to have success. Italian politics has housed hundreds of parties in the latest decades and there’s plenty of space for another one, but it is indeed a pity for the LGBT community itself that during such a crucial period of its history a division is set between different activists about how to attain  their civil rights.

Heartwarming Drama ‘Evolution’ Gets Underway With Marcia Gay Harden, Jim Belushi – Deadline

EXCLUSIVE: Production is getting underway on Evolution, a drama directed by BAFTA winner Nick Hamm (Driven) from a screenplay by David Hudgins (Friday Night Lights).

The film stars Marcia Gay Harden, Charlie Rowe, Josephine Langford, Zoe Colleti, Hannah Alligood, Jim Belushi and Diane Ladd.

Inspired by a true story, a young man with a bright future suffers a near fatal accident and recreates his new life with the help of an unlikely animal friend. An accident on the lake leaves Nate a quadriplegic, with little hope for his future. His resilient mother Claire puts her art career on hold and even risking her marriage to protect her son’s future. She discovers that the only thing that can make a profound difference in her son’s progress is providing him with an unlikely animal friend that helps the youth realize his life is still very much worth living.

Film is shooting in Los Angeles and North Carolina.

Piers Tempest is producing. Marie-Christine Jaeger-Firmenich of Fondation Robmar is exec producer. Pic is a Free Turn Films and Tempo Production in association with Axis Studios.

Endeavor Content is handling worldwide rights.

“This film is about hope and accomplishment, even in times of disaster and deepest despair,” said Hamm, who runs the Free Turn Films label with brother Jon Hamm. “I’ve been utterly inspired by the people at the heart of this true story and the film is a tribute to their resilience, ingenuity and strength of character. It’s a narrative of our times, encapsulating the feelings of hope and positivity coming out of adversity and what families can achieve, together.”

Conflict ramps up between Israel and Palestine – Yahoo! Voices

ABC News

Over 100 Republicans sign letter threatening to form third party

More than 100 Republicans, including some former elected officials, have signed a letter threatening to break from the GOP and form a third party, taking aim at the party’s embrace of former President Donald Trump and his continued false claims that the 2020 election was “stolen.” “We, therefore, declare our intent to catalyze an American renewal, and to either reimagine a party dedicated to our founding ideals or else hasten the creation of such an alternative.” Naming the effort, “A Call for American Renewal,” the group is calling for the Republican Party “to rededicate itself to founding ideals—or else hasten the creation of an alternative.”

Rihanna, Gigi Hadid and More Stars Speak Out Amid Israeli-Palestinian Crisis – E! NEWS

Hollywood celebrities are addressing the recent violence in and around Jerusalem amid an ongoing clash between the Israeli police and Palestinian protestors.

According to NBC News, violence in recent days has resulted in at least 90 deaths. The conflict and rising death toll has forced political leaders to speak out and push for peace. As Prime Minister of Israel Benjamin Netanyahu explained, “It doesn’t matter to me that your blood is boiling. You can’t take the law in your hands.” 

For stars like Gal Gadot, who is Israeli, the unrest is a personal matter that cannot be ignored.

“My heart breaks. My country is at war. I worry for my family, my friends. I worry for my people,” she shared in an Instagram post on May 12. “This is a vicious cycle that has been going on far too long. Israel deserves to live as a free and safe nation. Our neighbors deserve the same. I pray for the victims and their families, I pray for this unimaginable hostility to end, I pray for our leaders to find the solution so that we could live side by side in peace.” 

The actress concluded the post with, “I pray for better days.” 

A brilliant Sterling K. Brown in ‘The Normal Heart’ makes a powerful casting point – Gazettextra

Play readings on Zoom are a pandemic placeholder few theater-lovers will be sad to give up. But they have on occasion provided an opportunity to experiment with casting, shedding fresh light on a role, a performer and even a playwright.

A reading of Larry Kramer’s “The Normal Heart,” a benefit for the ONE Archives Foundation, did just that on Saturday night. Sterling K. Brown and Laverne Cox were the headliners in an ensemble directed by Paris Barclay.

Many were no doubt tuning into see what Cox, the “Orange Is the New Black” star, would do with the role of Dr. Emma Brookner, the pioneering AIDS doctor who sounds the alarm from her motorized wheelchair that a mysterious new disease is cutting a deadly swath through the gay community.

Cox’s exciting presence expanded the play’s LGBTQ reach, but her portrayal of Dr. Brookner was undermined by earnest line readings. In truth, I was ready to click off when something powerfully drew me in: Brown, in the role of Kramer’s surrogate, Ned Weeks, illuminating the contradictions and complexities of a hero who was nothing if not exasperatingly human.

Brown, who’s Black and straight, didn’t try to summon the white and gay Kramer back to life. The accent and mannerisms belonged to a newly interpreted Ned Weeks, a Ned Weeks who neither looked nor sounded like the author who created him.

But what Brown captured so brilliantly, even in the compartmentalized squares of a virtual reading, were the internal forces prodding the character’s conscience into action. Social justice of this magnitude isn’t an abstract phenomenon. Beneath Ned’s moral fury lies a great deal of sorrow, private and public.

Elias Canetti, writing about Franz Kafka, made the observation that though “life’s horror” is never out of sight, “most people notice it only on occasion.” But there are others “whom inner forces appoint to bear witness.”

In tracing Ned’s journey from accidental activist to AIDS crusader, Brown helped us connect the character’s alienation and longing — his brokenness in a homophobic society — to his refusal to look away from communal suffering. Ned’s woundedness drives him to see what others, less adapted to being out of favor, would prefer to ignore.

In Brown’s scenes with Jeremy Pope, who touchingly played Felix Turner, a New York Times reporter with whom Ned falls in love, the personal and the political were heartbreakingly joined. Ned’s struggle for intimate connection and commitment became one with his fight to get the world to give a damn about dying gay men.

During the rocky start of a fateful date, Felix asks Ned, “What’s the matter? Don’t you think you’re attractive? Don’t you like your body?” Brown made what seemed like an unconscious gesture, puffing his cheek as though Ned were unsure whether to speak or swallow his shame.

The specificity of the performance, the truthfulness of psychological detail, dissolved the boundaries between past and present. The alchemy of actor and role established an unspoken yet profound connection between the early days of the AIDS epidemic, when the government shrugged at the mass casualties of a stigmatized population, and the COVID-19 pandemic, which has disproportionately taken the lives of Black and brown Americans.

Although one might expect that a benefit reading of “The Normal Heart” for an organization dedicated to preserving LGBTQ cultural history would seek out talent from that community, the choice of Brown was inspired. Not only is he an exceptional, Emmy-winning actor, but his performance represented an act of coalition building, a recognition of shared struggle and a refusal to let the walls of identity serve as a prison.

Without dabbling in lesson-drawing anachronism, Brown’s Ned harmonized the cries of AIDS activists and Black Lives Matter protestors. An acute sense of endangered humanity and a desperate hunger for justice pointed the way.

For Ned, anger is a form of love. Early on, he asks Dr. Brookner whether having a big mouth is a symptom of AIDS. She tells him, “No, a cure.”

Casting that reminds us of the perpetual need for this cure is invaluable. But Brown offered something more: He showed us the mourning under the militancy.

(c)2021 the Los Angeles Times

Distributed by Tribune Content Agency, LLC.

Janaya Future Khan: ‘Nuance doesn’t live on the internet’ – British GQ

JFK: By this point I’m a bit of a movement nomad, I’m just moving where I’m needed, because staying in one movement would be like you being locked into a museum and just being the [only] person there.

KD: Literally. It’s a very good metaphor. We were supposed to come together to talk about peace, and I think that the thing I’ve learned the most from the disability justice movement is that there is no such thing: peace means something different to every person in the room. If we can’t identify a terrain for all of those ‘peaces’ to coexist, there will be nothing. We will have nothing left. So many of these things boil down to issues that are affecting marginalised communities and when they speak up, it’s a ruckus. It’s a cacophony; it’s a bacchanal; everybody’s getting wasted on possibility.

JFK: I think [that] I hope, I believe, because I don’t have a choice. I don’t want to do anything else with my life other than working towards changing this thing. So much of what people understand with this work is the struggles. They don’t see the joys, the beauties. There’s something deeper that it gives us back: a kind of love or a liberation.

KD: We are running low on time, so I want to close here, but thank you so much for your time. This conversation needed to happen.

JFK: I’m really grateful too. We’re two queerdos in the world, figuring it out.

KD: Can I ask you before we go, were you uncool as a kid?

JFK: Oh, yes, wildly.

KD: People are always like, ‘Were you so cool forever?’ and I’m like, ‘Hahaha. I’m sorry, I was bullied, so I don’t know what you’re projecting.’ But, you know, revenge of the nerds.

JFK: Yeah! It is kind of like revenge.

Tyrell Hampton

The Summer 2021 issue of GQ Style is out on newsstands and via the GQ Style app on Thursday 13 May.

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Netflix Picks Up Darren Star Comedy Series ‘Uncoupled’ Co-Created By Jeffrey Richman – Deadline

EXCLUSIVE: Netflix has given an eight-episode series order to Uncoupled, a new comedy from Darren Star, creator/executive producer of Emily In Paris, the streamer’s most popular comedy series of 2020, MTV Entertainment Studios and Jax Media.

Created and executive produced by Star and longtime Modern Family executive producer Jefferey Richman, Uncoupled centers on Michael who thought his life was perfect until his husband blindsides him by walking out the door after 17 years. Overnight, Michael has to confront two nightmares — losing what he thought was his soulmate and suddenly finding himself a single gay man in his mid-forties in New York City.

“We couldn’t hope for a more perfect home for Uncoupled than Netflix. A romantic comedy with a gay leading man; it is a passion project for us that feels both personal and universal,” said Emmy winners Star and Richman, who are both openly gay.

Tony Hernandez, Lilly Burns Netflix

Uncoupled hails from Star and Richman’s banners, Darren Star Productions and Jeffrey Richman Productions, MTV Entertainment Studios, where Star is under an overall deal, and Jax Media, Star’s partner on Emily In Paris and his long-running TV Land/Paramount+ comedy Younger. 

Jax Media’s Tony Hernandez and Lilly Burns executive produce with Star and Richman. MTV Entertainment Studios is the studio.

“We are excited to be partnering with Darren on another exciting new series,” said Tracey Pakosta, Netflix’s VP of Comedy, Original Series. “Both Darren and Jeffrey have continuously permeated the zeitgeist by creating characters and stories that resonate with audiences around the world.”

This marks the first collaboration between comedy veterans Star and Richman and the latest project as part of Star’s deal at MTV Entertainment Studios.

Star previously created and executive produced HBO’s Sex and the City, sharing in the show’s Outstanding Comedy Series Emmy Award.

Richman was an executive producer on Modern Family and Frasier, sharing in four of Modern Family‘s Outstanding Comedy Series Emmys and in one of Frasier‘s.

Production recently started in France on Season 2 of Star’s Lily Collins-starring Netflix/MTV Entertainment Studios series Emily In Paris, which the streamer revealed was watched by 58M households in the first 28 days after its October 2 launch, the largest viewership for any Netflix comedy in 2020. Meanwhile, the seventh and final season of Younger, also created and executive produced by Star, recently debuted on Paramount+. Star previously created Beverly Hills, 90210 and Melrose Place.

Richman’s series credits also include Rules Of Engagement and Wings. 

‘I’ll beat him!’ – Sam George warns Australian High Commissioner over LGBT pressure – Pulse Ghana

Speaking to Nana Aba Anamoah on Starr Chat, an angry Sam George said: “I warned him that I’ll beat him in this town.”

When told that by the host that he can’t do that, the legislator responded: “Why can’t I do that? If he decides not to behave like a diplomat, I will treat him like a non-diplomat.

“Because a diplomat has signed up to respect the laws of Ghana. The laws of Ghana do not allow you to do homosexuality.”

In recent months, the LGBT community in Ghana has increased calls for homosexual activities and same-sex marriages to be legalised.

The community recently opened an office in Accra, which was attended by some ambassadors to Ghana, including the Australia High Commissioner.

The said office has since been closed down by the Ghana Police Service following backlash from the public.

Sam George said Gregory Andrews was in Parliament in April to try to lobby the Speaker, adding that he has no right to dictate to Ghanaians.

“Then you, with your two left legs, you leave Australia and come to Ghana to come and redeem your image…as somebody who doesn’t know his identity, [he] has come to Ghana here and try and reinvent himself and then wants to now come and dictate to us that we must legalize supi supi.

“You look at Asantehene, Ya Na, Ga Mantse, Okyenhene and tell us that our culture is not correct and because our culture is not correct, he will come and teach us what our culture is and that we should allow our children to start doing supi supi,” he added.

Watch the video below:

‘I caught hubby searching for gay men online – what sort of man uses a women to hide?’ – Mirror Online

Dear Coleen, My marriage is at crisis point. The other day, I saw my husband’s phone light up and, for some reason, I took a look at it.

From the notification, it was clear he was looking for gay men in our local area.

While our marriage isn’t great, what sort of man uses a woman to hide behind his true self?

This makes a complete sham of our entire life together and I feel totally used. I could really do with some advice on what to do.

Coleen says

Well, you can’t unsee it or forget about it, so the only way forward is to tell your husband what you saw and ask him for an explanation.

He needs to answer all your questions honestly and talk about where you go from here.



Coleen Nolan is the Mirror's resident agony aunt
Coleen Nolan is the Mirror’s resident agony aunt

He might have been confused about his sexuality for a long time or it might be something that’s more recent.

The only way to know is to ask him.

Of course you feel betrayed and that your relationship has been built on a lie – it’s completely natural in the circumstances – which is why it’s important to talk to him to get the full picture.

Whether or not he’s had sex with another guy, the intention is there.

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And, obviously, it will be hard for you to move on as a couple if he’s constantly fighting the urge to live as a gay man.

Honesty is what’s required and then I think you have to focus on yourself and what you want for your future.

And don’t be embarrassed to ask for support from people you trust.

The marriage has obviously been struggling for some time and this seems to provide an explanation.

Sterling K. Brown proves that casting a straight actor in a gay role isn’t always a misstep – Yahoo News

A headshot of Sterling K. Brown. Credit: Sterling K. Brown.

Sterling K. Brown starred with Laverne Cox in a reading of Larry Kramer’s “The Normal Heart.” (Sterling K. Brown)

Play readings on Zoom are a pandemic placeholder few theater-lovers will be sad to give up. But they have on occasion provided an opportunity to experiment with casting, shedding fresh light on a role, a performer and even a playwright.

A reading of Larry Kramer’s “The Normal Heart,” a benefit for the ONE Archives Foundation, did just that on Saturday night. Sterling K. Brown and Laverne Cox were the headliners in an ensemble directed by Paris Barclay.

Many were no doubt tuning into see what Cox, the “Orange Is the New Black” star, would do with the role of Dr. Emma Brookner, the pioneering AIDS doctor who sounds the alarm from her motorized wheelchair that a mysterious new disease is cutting a deadly swath through the gay community.

Cox’s exciting presence expanded the play’s LGBTQ reach, but her portrayal of Dr. Brookner was undermined by earnest line readings. In truth, I was ready to click off when something powerfully drew me in: Brown, in the role of Kramer’s surrogate, Ned Weeks, illuminating the contradictions and complexities of a hero who was nothing if not exasperatingly human.

Brown, who’s Black and straight, didn’t try to summon the white and gay Kramer back to life. The accent and mannerisms belonged to a newly interpreted Ned Weeks, a Ned Weeks who neither looked nor sounded like the author who created him.

But what Brown captured so brilliantly, even in the compartmentalized squares of a virtual reading, were the internal forces prodding the character’s conscience into action. Social justice of this magnitude isn’t an abstract phenomenon. Beneath Ned’s moral fury lies a great deal of sorrow, private and public.

Elias Canetti, writing about Franz Kafka, made the observation that though “life’s horror” is never out of sight, “most people notice it only on occasion.” But there are others “whom inner forces appoint to bear witness.”

In tracing Ned’s journey from accidental activist to AIDS crusader, Brown helped us connect the character’s alienation and longing — his brokenness in a homophobic society — to his refusal to look away from communal suffering. Ned’s woundedness drives him to see what others, less adapted to being out of favor, would prefer to ignore.

In Brown’s scenes with Jeremy Pope, who touchingly played Felix Turner, a New York Times reporter with whom Ned falls in love, the personal and the political were heartbreakingly joined. Ned’s struggle for intimate connection and commitment became one with his fight to get the world to give a damn about dying gay men.

During the rocky start of a fateful date, Felix asks Ned, “What’s the matter? Don’t you think you’re attractive? Don’t you like your body?” Brown made what seemed like an unconscious gesture, puffing his cheek as though Ned were unsure whether to speak or swallow his shame.

The specificity of the performance, the truthfulness of psychological detail, dissolved the boundaries between past and present. The alchemy of actor and role established an unspoken yet profound connection between the early days of the AIDS epidemic, when the government shrugged at the mass casualties of a stigmatized population, and the COVID-19 pandemic, which has disproportionately taken the lives of Black and brown Americans.

Although one might expect that a benefit reading of “The Normal Heart” for an organization dedicated to preserving LGBTQ cultural history would seek out talent from that community, the choice of Brown was inspired. Not only is he an exceptional, Emmy-winning actor, but his performance represented an act of coalition building, a recognition of shared struggle and a refusal to let the walls of identity serve as a prison.

Without dabbling in lesson-drawing anachronism, Brown’s Ned harmonized the cries of AIDS activists and Black Lives Matter protestors. An acute sense of endangered humanity and a desperate hunger for justice pointed the way.

For Ned, anger is a form of love. Early on, he asks Dr. Brookner whether having a big mouth is a symptom of AIDS. She tells him, “No, a cure.”

Casting that reminds us of the perpetual need for this cure is invaluable. But Brown offered something more: He showed us the mourning under the militancy.

This story originally appeared in Los Angeles Times.

Sterling K. Brown shines as ‘The Normal Heart’ AIDS crusader – Los Angeles Times

Play readings on Zoom are a pandemic placeholder few theater-lovers will be sad to give up. But they have on occasion provided an opportunity to experiment with casting, shedding fresh light on a role, a performer and even a playwright.

A reading of Larry Kramer’s “The Normal Heart,” a benefit for the ONE Archives Foundation, did just that on Saturday night. Sterling K. Brown and Laverne Cox were the headliners in an ensemble directed by Paris Barclay.

Many were no doubt tuning into see what Cox, the “Orange Is the New Black” star, would do with the role of Dr. Emma Brookner, the pioneering AIDS doctor who sounds the alarm from her motorized wheelchair that a mysterious new disease is cutting a deadly swath through the gay community.

Cox’s exciting presence expanded the play’s LGBTQ reach, but her portrayal of Dr. Brookner was undermined by earnest line readings. In truth, I was ready to click off when something powerfully drew me in: Brown, in the role of Kramer’s surrogate, Ned Weeks, illuminating the contradictions and complexities of a hero who was nothing if not exasperatingly human.

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Brown, who’s Black and straight, didn’t try to summon the white and gay Kramer back to life. The accent and mannerisms belonged to a newly interpreted Ned Weeks, a Ned Weeks who neither looked nor sounded like the author who created him.

But what Brown captured so brilliantly, even in the compartmentalized squares of a virtual reading, were the internal forces prodding the character’s conscience into action. Social justice of this magnitude isn’t an abstract phenomenon. Beneath Ned’s moral fury lies a great deal of sorrow, private and public.

Elias Canetti, writing about Franz Kafka, made the observation that though “life’s horror” is never out of sight, “most people notice it only on occasion.” But there are others “whom inner forces appoint to bear witness.”

In tracing Ned’s journey from accidental activist to AIDS crusader, Brown helped us connect the character’s alienation and longing — his brokenness in a homophobic society — to his refusal to look away from communal suffering. Ned’s woundedness drives him to see what others, less adapted to being out of favor, would prefer to ignore.

In Brown’s scenes with Jeremy Pope, who touchingly played Felix Turner, a New York Times reporter with whom Ned falls in love, the personal and the political were heartbreakingly joined. Ned’s struggle for intimate connection and commitment became one with his fight to get the world to give a damn about dying gay men.

During the rocky start of a fateful date, Felix asks Ned, “What’s the matter? Don’t you think you’re attractive? Don’t you like your body?” Brown made what seemed like an unconscious gesture, puffing his cheek as though Ned were unsure whether to speak or swallow his shame.

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The specificity of the performance, the truthfulness of psychological detail, dissolved the boundaries between past and present. The alchemy of actor and role established an unspoken yet profound connection between the early days of the AIDS epidemic, when the government shrugged at the mass casualties of a stigmatized population, and the COVID-19 pandemic, which has disproportionately taken the lives of Black and brown Americans.

Although one might expect that a benefit reading of “The Normal Heart” for an organization dedicated to preserving LGBTQ cultural history would seek out talent from that community, the choice of Brown was inspired. Not only is he an exceptional, Emmy-winning actor, but his performance represented an act of coalition building, a recognition of shared struggle and a refusal to let the walls of identity serve as a prison.

Without dabbling in lesson-drawing anachronism, Brown’s Ned harmonized the cries of AIDS activists and Black Lives Matter protestors. An acute sense of endangered humanity and a desperate hunger for justice pointed the way.

For Ned, anger is a form of love. Early on, he asks Dr. Brookner whether having a big mouth is a symptom of AIDS. She tells him, “No, a cure.”

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Casting that reminds us of the perpetual need for this cure is invaluable. But Brown offered something more: He showed us the mourning under the militancy.

LGBT activists complain over public consultation on conversion therapy – The Christian Institute

LGBT activists have complained that the Government has decided to consult the public on the scope of plans to ban so-called ‘conversion therapy’.

Earlier this week, the Government used the Queen’s Speech to announce that it will consider the effects of a ban covering sexuality and ‘gender identity’ on religious freedom in England and Wales.

But activists led by Church of England General Synod member Jayne Ozanne say that there is no need to discuss religious exemptions. They are demanding that the ban covers the ordinary work of churches including prayer, preaching and pastoral care.

‘Hate prayer’

Ozanne tweeted after the announcement: “Prayer isn’t prayer if it causes you to hate yourself for being LGBT! It’s actually ‘Hate prayer’. It is dangerous, damaging & must be included in a bill to #BanConversationtherapy”.

She told inews: “I just think the government has consulted long enough, it has done research it’s never published. Now is the time for action, before more lives are lost.

“We are in a Groundhog Day of consultations.”

‘Abuse’

In an interview with Jeremy Vine, Ozanne hit out at religious leaders who wish to continue praying with or supporting same-sex attracted people who seek to live in accordance with the Bible’s teachings on gender and sexuality.

She claimed: “It’s deeply damaging and it’s a form of abuse.”

She said only prayer which allows people to explore their sexuality or gender identity should be permitted, and that any prayer with a “predetermined outcome” should be banned.

Former evangelical Steve Chalke tweeted: “I believe in ‘religious freedom’. It is a basic human right. But it does not include the right to attempt to suppress or change another person’s sexuality or gender orientation. The govt’s proposed #BanConversionTherapy bill must clarify that.”

Legal action

After the announcement in Parliament, the Government issued a statement saying it will ensure that “medical professionals, religious leaders, teachers and parents can continue to be able to have open and honest conversations with people”.

The Christian Institute has warned the Government it will pursue legal action if a ban outlaws the ‘wrong kind of prayer’ or opinions about sex.

In a detailed legal opinion for the Institute, Jason Coppel QC confirmed that activists’ proposed definitions of the law would criminalise the ordinary work of churches.

Also see:

Prayer

Govt announces consultation on ‘conversion therapy’ ban’

Top lawyer: ‘Conversion therapy ban could criminalise Christian parents’

EXCLUSIVE: Evangelical leaders express concern over broad ‘conversion therapy’ ban

HIV survivors’ stories show the loss, resilience and activism of the early years of AIDS pandemic – The Conversation CA

It has been 40 years since the onset of the HIV/AIDS pandemic. The International AIDS Candlelight Memorial is a time not only to remember the many lives lost to AIDS, but also to reflect on the stories of long-term survivors and caregivers.

These stories must inform our practical response to HIV today both in policy and for social equity. The wisdom of these stories can also improve our responses to COVID-19, future pandemics and other contemporary crises.

Many early depictions of HIV/AIDS focus on the experience of gay communities in the United States, or the United Kingdom in the recent television series It’s a Sin.

However, HIV/AIDS has deeply affected, and continues to affect, many different communities in Canada. This includes gay, bisexual and queer men, who are still disproportionately affected by the pandemic, as well as women, Indigenous people, transgender people and African, Caribbean and Black people, who are often overlooked in HIV policies and histories.

People who live at the intersections of marginalized communities face unique barriers.

As multidisciplinary HIV researchers, we know how important it is to continue learning from these histories to improve HIV treatment, support and prevention efforts today.

So far, we have conducted 116 oral history interviews with long-term survivors of HIV and their caregivers in British Columbia between 2017 and 2020 as part of the community-based HIV In My Day project. These interviews will soon be available in a publicly accessible digital archive.

Grassroots advocacy and activism

Our oral history research identified a lack of support and information for people living with HIV and their caregivers. It documents their experiences of HIV stigma in both health care and society, and the loss of their lovers, friends and community members.

It also illustrates the community care and resilience that helped them deal with the emotional impact of HIV/AIDS, and the grassroots advocacy that was necessary to improve medical responses.

People looking at the AIDS Memorial Quilt
Delegates to the 11th International Conference on AIDS in 1996 look over a section of the AIDS Memorial Quilt unvieled in Vancouver. THE CANADIAN PRESS/ Chuck Stoody

HIV In My Day is a collection of diverse stories that provides a nuanced picture of the early years of the HIV/AIDS pandemic in B.C. These stories demonstrate the importance of people coming together.

Marginalized communities mobilized in response to shared public health challenges that were exacerbated by structural forms of oppression. These personal stories highlight the living history of HIV, including experiences of isolation, discrimination, caregiving, positive thinking and activism.

Gay, bisexual and queer men were at the epicentre of HIV/AIDS in B.C. in the early years of the pandemic and while many of them lived with and died of AIDS, the lesbian and gay communities came together to care for each other in the face of government apathy towards HIV/AIDS rooted in homophobia.

Early community-based AIDS organizations built on previous gay activism. Our participants recount establishing AIDS Vancouver and B.C. Persons With AIDS Society (later Positive Living BC), which provided critical education and support to community members. Early HIV activist groups like ACT UP Vancouver raised awareness about the pandemic.

Marginalized communities

Lou Demerais, executive director of the Vancouver Native Health Society (now the Vancouver Aboriginal Health Society), posed for a 2002 photo in Vancouver’s Downtown Eastside. Demerais worked with HIV-AIDS patients in the area, many of whom were Indigenous. (CP PHOTO/ Richard Lam)

Our participants noted, however, that these organizations were not always inclusive of other marginalized communities who were increasingly dealing with HIV/AIDS. People in Vancouver’s Downtown Eastside — including Indigenous people, women, people experiencing poverty and people who inject drugs — lacked access to the same important resources.

While these organizations eventually expanded their reach, women and Indigenous communities developed their own networks of care that were responsive to a multitude of complex social factors like sexism, racism, settler colonialism and classism.

The living history of HIV demonstrates how pandemics reinforce pre-existing social inequities. COVID-19, for example, disproportionately impacts immigrants and racialized people in Canada today. The opioid crisis has been especially severe among Indigenous people and other marginalized communities.

HIV histories provide examples of how to better address these inequities. These histories illuminate decades-long trajectories of community care and activism that confront anti-Black and anti-Indigenous racism, as well as the persistent violence against transgender and gender-diverse people in Canada.

Speaking about the ongoing opioid crisis in Canada, one participant said: “I look at that epidemic and think why is it even happening? We’ve already been through this.”

Addressing inequities and injustice

A person in the foreground wiping a tear, in a crowd of people at a candlelight vigil
People shed a tears while taking part in a AIDS Vigil in Toronto in 2006. CP PHOTO/Nathan Denette

So, what can we learn about responding to these crises from the perspectives and experiences of our participants?

“Even if we have differences, we work together…it is possible to change minds or inform people who have misconceptions…that contribute to hostile responses to people in need.”

Long-term survivors of HIV and their caregivers remind us to address social inequities, especially during pandemics. This is not only beneficial for marginalized communities, but important for the rest of society as our health and well-being are connected to one another.

HIV In My Day provides moving personal stories of how individuals and their communities responded to the tragedy and injustice of the HIV/AIDS pandemic by challenging prejudice and being more inclusive.

Let’s remember these examples and follow them in our ongoing responses to HIV/AIDS and other crises challenging society. We must face them together, now and in the future.

This article was co-authored by Ben Klassen, research manager at the Community-Based Research Centre. He has co-ordinated the HIV In My Day study since 2017 and holds an MA in history from Simon Fraser University.

Gymnastics: Body suits could help keep young gymnasts in the sport – Voss – Yahoo Sports

By Barbara Woolsey and Andreas Kranz

BERLIN (Reuters) – Full-body suits could encourage teenage gymnasts put off by traditional leotards to stay in the sport, according to German Sarah Voss, who drew praise for wearing one at the recent European Championships.

The 21-year-old Voss, who hopes to compete at this year’s Olympic Games in Tokyo, donned a full-body suit at the 2021 European Artistic Gymnastics Championships in Basel last month, in what was described as a stand against sexualisation in gymnastics.

“For us, it was important above all to reach young athletes because it’s often said that a couple of athletes right now do not want to continue in the sport during puberty due to the dress code,” Voss said.

“We want to show them that us competitive athletes also wear such a thing and can present ourselves this way and everyone should decide what they would like to wear.”

For female athletes, the standard gymnastic competition outfit is a leotard, with long, half-length sleeves and sleeveless garments allowed.

Outfits covering legs are allowed by the gymnastics rulebook in international competitions, but to date they have been used almost exclusively for religious reasons.

The German Gymnastics Association (DTB) said their athletes wore the full body suit in Basel as a stand “against sexualisation in gymnastics”.

Voss said the suits could also help to avoid embarrassment.

“Gymnasts don’t always feel so comfortable training in leotards, also in gymnastics competitions, one has the feeling that they slip out of place or could slip out of place. And perhaps that cameras or photographers can catch this poor moment,” Voss said.

“This bodysuit originated for this reason, simply to show that there is a possibility and since 2012, wearing matching trousers is also allowed.”

(Writing by Christoph Steitz; Editing by Toby Davis)