Home Blog Page 219

New DUP leader Edwin Poots brags about having ‘gay people in my house’ – PinkNews

Edwin Poots said gay people are “probably” born gay. (BBC)

The newly-elected leader of the DUP Edwin Poots, who has a long history of opposing LGBT+ rights, has insisted he’s definitely “had people who are gay in his house”.

The former Northern Ireland health minister was declared winner of the DUP’s leadership race on Friday (14 May), succeeding Arlene Foster.

Poots is a “young Earth creationist” who believes that the world is only between 6,000 and 10,000 years old, and has spent his political career pushing back against advancements in LGBT+ rights.

But speaking to BBC broadcaster Stephen Nolan on his show Nolan Live, Poots wanted everyone to know: “I’ve had people who are gay in my house.”

He said: “I don’t believe that you can fix or cure people of their sexuality. People’s sexuality is their sexuality.”

However he followed this up by saying gay people are “probably” born that way, but that being gay was “something that many people have grown to be”.

Poots also said: “I have worked with people who are gay. I have worked for people who are gay. I have had people who are gay in my house who I have done constituency work for. I seek to treat everybody the same.”

Edwin Poots fought to stop gay and bisexual men donating blood.

Despite his insistence that he wants to “treat everybody the same”, Edwin Poots fought hard as health minister to stop gay and bisexual men from donating blood in Northern Ireland, claiming that the “high risk sexual behaviour” of queer men should exclude them.

Poots, who has been described by LGBT+ rights campaigner Peter Tatchell as a “notorious homophobe”, also appealed a 2012 High Court ruling which found same-sex couples in civil partnerships were being discriminated against because they weren’t allowed to adopt children.

He said at the time: “Shame on the courts for going down the road of constantly attacking Christian principles, Christian ethics, Christian morals, which this society was based on and gave us a very good foundation.”

Hood powers Abilene Wylie past Canyon Randall in region quarterfinal baseball playoff opener – Abilene Reporter-News

WOODROW – Riley Hood drove in four runs, and Brooks Gay tossed a four-hitter as Wylie beat Canyon Randall 9-1 in the opener of the Region I-5A quarterfinal baseball series Thursday at Pirate Field.

Wylie (24-7) can sweep by winning Game 2 at 12:30 p.m. Friday at Pirate Field. Game 3, if needed, will be played 30 minutes afterward.

Abilene Wiley’s Landon Williams (23) celebrates his second inning score with teammate J.T. Thompson (9) in the first inning in their 5A Quarterfinal game at Lubbock Cooper High School Thursday. (Mark Rogers/For A-J Media)

The series’ winner plays the Aledo-Mansfield Timberview winner in the region semifinals next week.

Wylie got all the runs it needed in the first inning. Balin Valentine led off with a walk and scored on Hood’s one-out triple. Hood scored on Jaxson Hansen’s sacrifice fly to center.

Landon Williams pushed the lead to 3-0 with a leadoff home run in the second inning.

Randall (22-14-1) got its lone run in the bottom of the second. Taylor McDaniel hit a two-out single, and A.J. Lucero chased him home with a double.

The Bulldogs added a run in the third as J.T. Thompson scored on Hansen’s sacrifice fly. Thompson and Hood hit consecutive singles to set up the score.

Hood made it 7-1 with a two-run double in the fourth, after Reed Hughes scored on a wild pitch. Hughes and Valentine both walked in the inning, and Thompson reached on a single to load the bases with one out.

The Bulldogs got their final two runs in the sixth.

Valentine led off the inning with a walk, took second on a wild pitch and third on a one-out steal. He scored on Hood’s sacrifice fly. Hansen followed with a single and scored on Garrett Graham’s triple.

Gay went the distance for the victory. He struck out eight and walked none.

Randall starter Dylan Chayne took the loss, allowing four runs on four hits in three innings. He walked two and struck out one. Three other pitchers finished the game for the Raiders.

Wylie has given up a total of five runs in going 4-0 in the playoffs thus far.

El Paso Andress is the only team to score more than a run against the Bulldogs in the postseason, losing 3-2 in a one-game playoff last week in Fort Stockton.

Andy Cohen Weighs In on Gay Housewives Franchise – Heavy.com

Lisa Barlow nail glue

Getty Andy Cohen.

Andy Cohen is mentioning it all!

If fans had to put a face on Bravo, many would instantly picture Cohen. Cohen first joined Bravo in 2005 in hopes to revamp Bravo’s involvement in the reality television world. In 2013, Cohen stepped down from his executive roles to start his own production company, Most Talkative.

Cohen no long serves a senior role at Bravo, but that doesn’t mean he isn’t any regular guy. Cohen still hosts the Bravo talkshow “Watch What Happens Live,” and he is also an Executive Producer for many series, including the “Real Housewives” franchises.

The author recently sat down with “Real Housewives of Beverly Hills” star Garcelle Beauvais on an episode of her podcast “Going To Bed with Garcelle” on Thursday, May 20. Beauvais brought up the idea of having a gay Housewives franchise.

“We’ve talked about that,” Cohen responded. “It was something that we were really into many years ago. We’ve almost cast several lesbians. I think when you start casting gay men, it just, it’s ultimately a show about women. And which is why, the guys have always been in the background, like the husbands have typically been more in the background.”

He added that Bravo has definitely considered it saying, “And so I think the answer is we’ve been open to it. We almost cast a guy on Jersey who was Dina Manzo’s brother and Caroline’s brother as the first gay housewife. This was years ago. This was like 2008 or nine or something like that. But we wound up just not doing it. If the right person smacked me in the face, yeah.”


Beauvais Also Asked About Hiring More Black Housewives

As RHOBH fans know, Beauvais made history when she starred as the first Black Housewife on RHOBH. The “Coming to America” actress asked Cohen, “why it took so long to have a Black Housewife on Beverly Hills?” Cohen replied on the “Going to Bed with Garcelle” podcast, produced by MGM and Audio Up, “Because we had to wait for the perfect one. There was no excuse we had to wait for the perfect one.”

He continued saying, “I think that it was a bad cycle, because then the longer you waited, the more you wanted to get it absolutely perfect when you did cast a woman of color and bring them into the group. You wanted that person to succeed. Over the years, there have been people that we did not cast that were people of color. We really wanted to get it right, so that we weren’t casting someone that would be a one season housewife or like, ‘oh, well she’s boring’ or that people said didn’t fit. I just think it was this vicious cycle of wanting to get it absolutely right. The true answer is, there is no excuse. It’s bad and there is no excuse.”


Cohen Revealed How Much Power He Has When It Comes to Hiring & Firing

As the unofficial face of Bravo, many people have assumed that all “Real Housewives” franchise decisions, hirings, and firings, and more, come down to Cohen. But the talkshow host recently set the record straight.

The 52-year-old author answered some popular questions from Bravo influencers during an episode of WWHL in March 2021. Ronnie Karam from the “Watch What Crappens” podcast asked Cohen, “How much are you apart of casting still with all the Housewives shows? Do these ladies come after you when they get fired? I saw on Instagram Live where you were just hanging out on Instagram Live and Tamra Barney came on there. And she was like, ‘But ya fired me, Andy Cohen!’”

Cohen laughed and nodded saying, “yeah.” He continued, “The hiring is a collective group. And the firing is a collective group. So it is a group conversation.”

READ NEXT: EXCLUSIVE: Ariana Madix & Tom Sandoval Spill New Season Secrets


Balenciaga Debuts Its First-Ever Jockstrap for Pride – PAPER – Papermag

With Pride festivities looming on the horizon after last year’s parade cancellations, the gays have a lot to look forward to when it comes to going out and dressing up again (or rather, hardly wearing clothes at all).

While we suspect the usual underwear-clad party-goers in Calvin Klein trunks, Versace briefs and Parke & Ronen speedos will undoubtedly return, there’s now Balenciaga jockstraps entering the mix. Part of the brand’s upcoming Pride collection launching in June, the jockstrap features a rainbow waistband with the brand’s name emblazoned on the front.

There’s also sports bras, baseball caps, boxers, t-shirts and hoodies with “GAY” printed across whose varsity letter font resembles a certain American mall brand. The capsule first debuted last month as part of Balenciaga’s Pre-Fall 2021 collection, which saw models standing in front of various famous travel landmarks.

“I’m gay. I grew up in a society where I couldn’t have worn that, and there are places in the world that you cannot today,” Balenciaga’s creative director Demna Gvasalia told Vogue of the Pride gear. “It’s important to push through against homophobia. I’m not someone who goes out in the street and shouts. But this is the political fashion activism I can do.”

In addition, 15% of the sales price from Pride capsule will be donated to The Trevor Project and its mission to end suicide for LGBTQ youth.

See the complete Balenciaga Pride 2021 capsule in the gallery, below.

Photos courtesy of Balenciaga

From Your Site Articles

Related Articles Around the Web

New Jersey arts and entertainment news, features, and event previews. – New Jersey Stage

Luna Stage Presents "Gay History for Straight People!" In June

(WEST ORANGE, NJ) —  After 14 months of powerful virtual work, Luna Stage will present four in-person, outdoor performances of Will Nolan’s  Gay History for Straight People! presented in association with ValleyArts at 8:00pm June 11, 12, 25 and 26. Seating is limited and social distancing will be observed at this adults-only performance featuring Nolan’s comedic alter ego Leola, “your new favorite Kelly Clarkson-worshipping, senior citizen, redneck lesbian.”

The show guides audiences through the complexities of the “LGBTQYMCA community as Leola calls it – everything from GAY to Z,” says Nolan. “Yes, you’re going to learn some gay history and you may need to unlearn some of the gay history Leola tries to teach, but more importantly, I hope audiences walk away feeling special.”

“Leola’s is a voice that encourages you to be yourself – flaws and all – and to be kind and to laugh,” Nolan adds. “Gay History for Straight People is about finding our strength to stand up and fight negativity with love…and the right shade of lipstick.”

Performances will be held in the outdoor ValleyArts Courtyard, 400 S. Jefferson St in Orange. Seating pods are available for groups of 4 and 2, and individual seats are also available. Tickets are limited to ensure social distancing.

In addition to being named the 2020 Outstanding Cabaret Performer by BroadwayWorld, Leola has appeared across the country in fringe festivals, regional theaters, and at middle-aged birthday parties, winning the Long Island City Flying Solo Festival two years in a row. This year, Leola will emcee the first-ever Pride Parade in Leonia, New Jersey on June 5 and she will continue her residency at The Green Room 42 in New York City through 2021.

Gay History for Straight People was originally slated to open at Luna pre-pandemic in March of 2020 as the third production in Luna’s American Voices Series, which featured original solo shows in the regional theatre’s smaller space, Luna 2. The Series also featured Susan Hyon’s Soo Jin Pretty Nail (and more!) and Dipti Bramhandkar’s American Rookie.

 

Writer and performer Will Nolan lives in Northern New Jersey with his husband and son.

Luna Stage develops and produces vibrant plays about local and global experiences. Firmly rooted in New Jersey’s Valley Arts District — a crossroads of cultures — Luna brings our communities together for artistic events that spark conversations and create understanding and change.

The recipient of JerseyArts People’s Choice Award for Favorite Small Theatre in NJ for the past two years (2018 & 2019), Luna celebrates 10 years in its West Orange location this year. In addition to professional theatre productions on its MainStage and Luna 2, Luna offers classes for children and adults, opportunities for early-career and established theatre artists to develop new work, and has pivoted during the pandemic to offer a wide variety of free virtual programming.

ValleyArts (VA) is an art gallery and an arts education entity that is located at the epicenter of the Valley Arts District in Orange, NJ.  Its mission is to build community and economic opportunities for the people living and working in the ValleyArts District by creative means. ValleyArts is also interested in making ValleyArts a local, national and global brand. 

VA’s intention is to produce fun filled, engaging, events. Additionally, VA often offers donation-based and low cost workshops on topics relevant to the local residents. The mission also emphasizes work with local community partners, providing meeting space, creative space, and at times a gathering spot. Moreover, there is a strong desire to facilitate connections between community members who can help each other. Whether there is collaboration with community members to host creative events, or the formation of partnerships to venture into mobile programming designed to foster intentional sustainable community development initiatives, Valley Arts intends to remain a lasting institution in the community.

 


originally published: 05/20/2021







Luna Stage Presents “Gay History for Straight People!” In June – New Jersey Stage

Luna Stage Presents "Gay History for Straight People!" In June

(WEST ORANGE, NJ) —  After 14 months of powerful virtual work, Luna Stage will present four in-person, outdoor performances of Will Nolan’s  Gay History for Straight People! presented in association with ValleyArts at 8:00pm June 11, 12, 25 and 26. Seating is limited and social distancing will be observed at this adults-only performance featuring Nolan’s comedic alter ego Leola, “your new favorite Kelly Clarkson-worshipping, senior citizen, redneck lesbian.”

The show guides audiences through the complexities of the “LGBTQYMCA community as Leola calls it – everything from GAY to Z,” says Nolan. “Yes, you’re going to learn some gay history and you may need to unlearn some of the gay history Leola tries to teach, but more importantly, I hope audiences walk away feeling special.”

“Leola’s is a voice that encourages you to be yourself – flaws and all – and to be kind and to laugh,” Nolan adds. “Gay History for Straight People is about finding our strength to stand up and fight negativity with love…and the right shade of lipstick.”

Performances will be held in the outdoor ValleyArts Courtyard, 400 S. Jefferson St in Orange. Seating pods are available for groups of 4 and 2, and individual seats are also available. Tickets are limited to ensure social distancing.

In addition to being named the 2020 Outstanding Cabaret Performer by BroadwayWorld, Leola has appeared across the country in fringe festivals, regional theaters, and at middle-aged birthday parties, winning the Long Island City Flying Solo Festival two years in a row. This year, Leola will emcee the first-ever Pride Parade in Leonia, New Jersey on June 5 and she will continue her residency at The Green Room 42 in New York City through 2021.

Gay History for Straight People was originally slated to open at Luna pre-pandemic in March of 2020 as the third production in Luna’s American Voices Series, which featured original solo shows in the regional theatre’s smaller space, Luna 2. The Series also featured Susan Hyon’s Soo Jin Pretty Nail (and more!) and Dipti Bramhandkar’s American Rookie.

 

Writer and performer Will Nolan lives in Northern New Jersey with his husband and son.

Luna Stage develops and produces vibrant plays about local and global experiences. Firmly rooted in New Jersey’s Valley Arts District — a crossroads of cultures — Luna brings our communities together for artistic events that spark conversations and create understanding and change.

The recipient of JerseyArts People’s Choice Award for Favorite Small Theatre in NJ for the past two years (2018 & 2019), Luna celebrates 10 years in its West Orange location this year. In addition to professional theatre productions on its MainStage and Luna 2, Luna offers classes for children and adults, opportunities for early-career and established theatre artists to develop new work, and has pivoted during the pandemic to offer a wide variety of free virtual programming.

ValleyArts (VA) is an art gallery and an arts education entity that is located at the epicenter of the Valley Arts District in Orange, NJ.  Its mission is to build community and economic opportunities for the people living and working in the ValleyArts District by creative means. ValleyArts is also interested in making ValleyArts a local, national and global brand. 

VA’s intention is to produce fun filled, engaging, events. Additionally, VA often offers donation-based and low cost workshops on topics relevant to the local residents. The mission also emphasizes work with local community partners, providing meeting space, creative space, and at times a gathering spot. Moreover, there is a strong desire to facilitate connections between community members who can help each other. Whether there is collaboration with community members to host creative events, or the formation of partnerships to venture into mobile programming designed to foster intentional sustainable community development initiatives, Valley Arts intends to remain a lasting institution in the community.

 


originally published: 05/20/2021







‘Stonewall’ Star Jeremy Irvine Might Play Gay Green Lantern Alan Scott – Pride.com

Stonewall Star Jeremy Irvine Might Play Gay Green Lantern Alan Scott

Wait, did HBO Max’s upcoming, live-action Green Lantern series just find its newest star in actor Jeremy Irvine?

According to a report from Deadline, the StonewallWar Horse, and Treadstone alum is currently in talks to portray out, gay character Alan Scott (the original man behind the Green Lantern mantle) in the highly-anticipated TV series based on one of DC Comics’ most iconic, well-known heroes. American Horror Story star Finn Wittrock is already attached to the show as “cocky alpha male Guy Gardner.” 

While not much else is know about the series at the moment, we do know that Alan Scott did make headlines earlier this year when he had a very emotional, touching coming-out moment with his two children in DC’s recent Infinite Frontier #0 comic! The first man who originally held the Green Lantern moniker when the character was first introduced to the world back in 1940 by creator Martin Nodell, Alan has also had his queerness explored in past DC titles (he had a boyfriend and was openly gay in the Earth 2 series back in 2012), so the idea of getting to see a live-action iteration of him soon is an exciting one, and will surely be a watershed moment in the continued fight for more LGBTQ+ representation in the big-budget, superhero genre. 

HBO Max’s live-action Green Lantern series was first announced back in October 2020 when TV producer and Arrowverse mastermind Greg Berlanti was tapped to develop the project to make it inclusive (and gay!) AF! 

Deadline reported that the show, like the comics, will be incredibly diverse, featuring many different characters from all over the universe who take on the Green Lantern mantle, including Alan Scott, Simon Baz (the first Muslim-American member of the Green Lantern Corps.), and Jessica Cruz (a Latinx-American member of the Green Lantern Corps. who made her first appearance in Justice League #31 back in 2014). 

“Both of these original DC properties we’ll be creating for HBO Max will be unlike anything seen on television,” Berlanti said in a statement reported by Entertainment Weekly in 2019 when talks about a live-action Green Lantern series (and an anthology series entitled Strange Adventures) first got underway. “An anthology series of cautionary tales set in a world where superpowers exist, and, in what promises to be our biggest DC show ever made, we will be going to space with a Green Lantern television series, but I can’t reveal any more about that just yet.”

MassArt filmmaker Noah Duarte plans to shoot movie in the Azores – Fall River Herald News

0
MassArt filmmaker Noah Duarte (at right), originally from Acushnet, Mass., plans to travel to the Azores this summer to shoot “The Lonely Doryman,” a short film that explores themes of queer identity, loneliness and masculinity and is set against the backdrop of Portugal’s complex traditional values during Salazar's regime. In this photo, Duarte can be seen with film crew members Ali Fernandes (at left) and Christian Kalcic.

BOSTON – Noah Duarte, 22, knew from a very young age that he wanted to make movies.

“I think it has a very big life affirming quality to it, even more so than real life,” said the Film/Video junior at Massachusetts College of Art and Design (MassArt). “It’s able to teach people things, and I think that’s really awesome. Plus, it’s gorgeous to take people to new places and show other people’s stories.”

Originally from Acushnet, Mass., Duarte recently saw his short film “Supper” be chosen as an official selection for the Austin Lift-Off Film Festival 2021.

He is currently wrapping up production on the 17-minute film “Dilemma,” which is set in colonial New England in the 17th century.

“It was a lot of fun,” he said. “It’s looking great and so far I’m very happy.”

He then plans to spend part of August in São Miguel, Azores, to film his senior thesis “The Lonely Doryman,” which he co-wrote with Ali Fernandes, a Film/Video senior at MassArt who is originally from Fall River.

Set during Portugal’s fascist regime in the 1960s, the short film will follow a man named Luis from Vila Franca do Campo who joins the White Fleet of Portuguese fishing vessels that fished for cod on Newfoundland’s Grand Banks. Venturing into the harsh waters alone, these fishermen would put their life on the line in a small dory as they baited hundreds of hooks on long lines.

In search of purpose and money, Luis eventually finds himself lost and alone on a deserted island in the Atlantic. 

“It’s set against the backdrop of Portugal’s complex traditional values during Salazar’s regime,” explained Duarte, acknowledging that as a filmmaker he likes “to bring contemporary relevance to a historical subject matter, focusing heavily on detailed art direction and production design.”

Promo image for Noah Duarte's "The Lonely Doryman."

“The project explores themes of queer identity, loneliness, and masculinity,” he added. “I love the kind of metaphor and similarity to what the doryman would do. It does seem very lonely, and it’s very much like a time to be introspective.”

Duarte said he and his crew feel very passionate about representing Portuguese heritage and queer identity on screen through this deeply personal and unique story.

“I really wanted to make something about my Portuguese heritage and queer identity,” said the grandson of immigrants hailing from São Miguel, who arrived in the United States in the 1960s.

Growing up gay in a Portuguese community was not always easy, he admitted.

“There is obviously that sense of deep rooted Catholicism that I’m sure every Portuguese family experiences. Whether it’s like extremely devout or subtle, it’s always in the back of everyone’s mind,” Duarte said. “I really liked the idea of setting this [film] during the fascist regime because it kind of just encapsulates all of those anxieties and prejudices of those traditional values.”

Still from Noah Duarte's current production "Dilemma."

For some time, Duarte could not help but feel ashamed of being gay.

“And I lived in the 2000s,” he said. “So, I wanted to tell a story of someone from the 60s, when you couldn’t have even tried to explore that side of you. You felt so ostracized and lonely.”

Duarte plans to spend at least two weeks in the Azores in August to start production of “The Lonely Doryman.”

“We’re filming in Vila franca do Campo,” he said. “We have a cottage we got from Airbnb, and that’s going to be used as our main character’s house. And we’ll be filming on the Vila Franca islet.”

Duarte will travel to São Miguel with a small crew composed of Writer and Audio Recordist Ali Fernandes, Director of Photography Christian Kalcic and Production Assistant Eve Hartig. They expect to be working with six or seven actors from the Azores.

“When I met with the Azores Film Commission, the gentleman recommended this producer/actress who’s based in São Miguel, already in Ponta Delgada,” Duarte said. “I sent her the character breakdowns and the synopsis of the film, and people just started sending me self tapes. It was just amazing.”

Due to the Covid-19 pandemic, he predicts the crew will face a few more challenges.

“We’re making sure that we’re taking the right precautions, cause we obviously want to be safe,” said Duarte, adding that he was already told that he and his crew will have to be fully vaccinated to enter the Azores. “I’m very thankful that this is happening in August, as things are beginning to go back to normal.”

To help defray production costs, the crew has received a Donis A. Dondis Travel Grant in the amount of $5,000, but Duarte estimates that ideally $15,000 will be needed to complete the project.

“We will make this film no matter the budget,” he said. “However, the more funding we have, the better we will be able to tell this story.”

Duarte and his crew recently launched a crowdfunding campaign on Indiegogo, welcoming generous support and backing for the movie. Those interested in funding the project, can visit https://www.indiegogo.com/projects/the-lonely-doryman

Duarte said the ultimate goal is to submit “The Lonely Doryman” to as many film festivals as possible.

“Hopefully, it’ll get in… and we’ll see where that takes us,” he said.

*  *  *  *

OTHER CREW MEMBERS OF “THE LONELY DORYMAN”

Christian Kalcic: Director of Photography

A Film/ Video junior at MassArt, he is originally from Foxborough, Mass. Focusing on cinematography and lighting, he has been the Director of Photography for Noah Duarte’s “Supper” and “Dilemma.”

Ali Fernandes: Writer, Audio Recordist

A Film/ Video senior at MassArt, she is originally from Fall River, Mass. Her filmmaking and writing style mainly focuses on the psychology of family dynamics. She is the recipient of The Katheryn Coughlan Award for Outstanding Student in the Field of Literature, Writing or Film Criticism. She also co-wrote and co-directed “Dilemma” with Noah Duarte.

Eve Hartig: Production Assistant

A Film/ Video senior at MassArt, she is originally from Fairhaven, Mass. An experimental filmmaker and current Production Assistant for “Dilemma,” Hartig’s non-linear narrative film “Blanchard’s Sweet Shoppe” was chosen by faculty in March 2021 to be screened at Gus Van Sant’s visiting artist talk at MassArt.

‘In Treatment’: Fun, frothy, engaging – Newsday

SERIES “In Treatment”

WHEN|WHERE Premieres Sunday at 9 p.m. on HBO; streams on HBO Max

WHAT IT’S ABOUT Dr. Brooke Lawrence (Uzo Aduba, “Orange Is the New Black”) is an L.A.-based therapist whose patients include Eladio (Anthony Ramos), a gifted teen housesitting for a wealthy family; Colin (Tony Award-winner John Benjamin Hickey), a tech entrepreneur just out of jail for securities fraud; and Laila (Quintessa Swindell), an 18-year-old lesbian. Meanwhile, Brooke has a friend: Adam (Joel Kinnaman).

HBO is calling this the 4th season of the series that starred Gabriel Byrne as therapist and ran from 2008 to 2010.

MY SAY The original “In Treatment ” was a show about the intimate space between two people with first-world problems and what fills that space. Lots of words, mostly, but words freighted with meaning, and meaning with emotional connection which always dangled the promise of catharsis, for viewers as much as the patients. Byrne’s Paul Weston was the shrink we wanted or needed: A sphinx with a gentle brogue who was kind, patient, shrewd and had a nimbus of melancholy about him. When it was abruptly canceled, fans felt abandoned. After all, this was free therapy for the price of an HBO subscription.

This new season — actually, let’s just call it for what it is (a reboot) — has studied well the master. Brooke even has a wave motion machine on a counter; the toy boat-obsessed Weston had one of those too. The Feng Shui of her office/living space embraces the whole spread of L.A. beyond the ceiling-to-floor windows. Just being here is calming.

And while it’s either ironic or amusing that Aduba’s most famous character to date is “Crazy Eyes,” that’s quickly forgotten. She’s such a skillful and intelligent performer that she instantly becomes a fully-formed person with a full-formed back story and someone who is — dare I even say this about our new TV shrink? — sexy. She smolders while Paul simmered.

The problems of her patients remain mostly first-world, but feel consequential and soon enough begin to feel like they’re ours too. The pandemic continues beyond those windows yet no one here whines about mask mandates. Instead, this reboot explores trendy topics like queer identity, white privilege and male/female power dynamics.

Nothing feels “trendy” though. That was the magic of the original as well. After a point, you identified with a character so that you could see the world from their vantage point. Their breakthrough became your breakthrough. Same (hopefully) here.

What’s missing? Nothing really, except that something is. Fans never got to say goodbye to the original series. It’s as if Paul never existed. (You’ll briefly see Byrne standing next to Brooke in a picture; was he her mentor? Who knows?)

Closure is what’s missing. Closure, by the way, is still needed.

BOTTOM LINE Still fun, frothy, engaging — but there’s a missing element.

Key Questions: HIV and COVID-19 | KFF – Kaiser Family Foundation

Just as the COVID-19 pandemic hit the United States (U.S.), the nation was ramping up efforts to address a different epidemic, HIV. Successful HIV outcomes require consistent access to care and medication, as does harnessing the preventive benefits of HIV treatment adherence. Similarly, key tools in HIV prevention are HIV testing and PrEP which necessitate access to health services. Yet, with options for medical care reduced, social distancing guidelines in place, and fears about COVID-19 exposure, COVID-19 threatened access to HIV care and prevention services and national efforts to address HIV. In addition, understanding the interplay of COVID-19 disease, vaccination, and HIV is important to the health of people with and at risk for HIV and curbing both epidemics. This analysis explores key questions around COVID-19 and HIV – what we know and what we are still learning.

Are people with HIV at higher risk for COVID-19?

NIH guidance states “whether people with HIV are at greater risk of acquiring SARS-CoV-2 infection is currently unknown.” While some researchers have proposed that people with HIV who are not virally suppressed or on treatment may be at increased risk of contracting SARS-CoV-2, the virus that causes COVID-19, because of a compromised immune system, others have found no such correlation. Most research and guidance to date has focused on whether people with HIV are more likely to experience severe outcomes from COVID-19 (e.g. severe illness, hospitalization, and death). Findings in this area are also somewhat mixed but most research concludes that risk appears greatest for those who are immunocompromised or face other comorbid conditions:

  • Referring to severity of COVID-19 outcomes, the CDC states that while information is still somewhat limited, “we believe people with HIV who are on effective HIV treatment have the same risk for COVID-19 [disease] as people who do not have HIV.” Elsewhere CDC states that people “who have serious underlying medical conditions might be at increased risk for severe illness” and this may include “people who have weakened immune systems,” including people with HIV with a low CD4 cell count or not engaged in HIV treatment. As such CDC includes HIV in its list of conditions that “can” make someone more likely to get severely ill from COVID-19.
  • Weighing in on both SARS-CoV-2 acquisition and COVID-19 disease severity among people with HIV, the World Health Organization (WHO) states “there is evolving and conflicting evidence whether people living with HIV have an increased risk of acquisition of SARS-CoV-2 infection and and/or COVID-19 clinical complications in PLHIV compared to the general population.”
  • NIH guidance and a recent article by Dr. Anthony Fauci and others also finds the evidence as to whether people with HIV are at higher risk for COVID-19 or severe disease outcomes mixed. However, it concludes, “it is clear that the COVID-19 pandemic has had a great negative impact on persons with HIV” and that “the severity of COVID-19 disease in persons with HIV is related strongly to the presence of comorbidities that increase the risk of severe disease in COVID-19 patients in the absence of HIV.” Indeed, some of these comorbidities are more common in people with HIV than in those who are HIV negative.
  • Another recent review article finds that “the interaction between SARS-CoV-2 and HIV infection is still unclear and data are, at times, conflicting” but highlights larger more recent studies that find “that people living with HIV (particularly with low CD4 cell counts or untreated HIV infection) might have a more severe clinical course than those who are HIV-negative.”

Notably, many people with HIV in the U.S. could be considered at increased risk for severe COVID-19 illness based on the CDC definition due to uncontrolled HIV. An estimated 7% of people with HIV had a geometric mean CD4 count of less than 200 cells/µL (a marker of severely impaired immune system), another 11% had a CD4 count of less than 350 cells/µL. Further, just 60% of people with HIV report 100% antiretroviral therapy dose adherence in the preceding 30 days and over one-third (38%) do not have sustained viral suppression.

Beyond risk associated with HIV infection, immunosuppression, or comorbidities, there are broader structural and contextual factors – the social determinants of health – that may have an impact on COVID-19 susceptibility among those with HIV.

How do the social determinants of health, and their relationship to HIV, affect COVID-19 risk?

Apart from HIV, or comorbidities that heighten the risk for increased COVID-19 severity, people with HIV are overly represented in many of the demographic groups that that have been hardest hit by the COVID pandemic. Indeed, many are the very factors that place communities at risk for HIV. As such, people with HIV may be at higher risk for severe COVID-19 outcomes by virtue of their representation in these groups.

Race/Ethnicity

People of color have been disproportionately impacted by both COVID-19 and HIV, with overlapping risk factors. Compared to White people, people of color have been harder hit by COVID-19 in terms of cases, hospitalization, and deaths. This is true among Black, Hispanic, and especially American Indian or Alaskan Native people. American Indian or Alaskan Native people faced 1.6 times the case rate, 2.4 times the death rate, and 3.5 times the hospitalization rates compared to White people. Hispanic people also faced higher comparative rates at 2.0, 3.0, and 2.3 times that of White people, respectively (see figure 1). While case rates among Black people were similar to those among White people, rates of hospitalization and death were higher at 3.0 and 2.3 times the rate, respectively.

Notably, Black and Hispanic people, groups hard hit by COVID-19, are also hardest hit by HIV. While Black people represent just 12% of the U.S. population, they account for 41% of HIV cases; Hispanic people make up 19% of the US population but 23% of HIV cases (see figure 2). In addition, compared to White people with HIV, people of color with HIV have lower rates of viral suppression and engaging in HIV care, which could also make them more vulnerable to severe COVID-19 illness.

Age

Severe COVID-19 disease and deaths have been concentrated among older adults and on average, people with HIV are older compared to the general population. Nearly all (95%) COVID related deaths occurred among those 50 years and older; 81% have been among those 65 years and older. Those aged 64-74 have forty-times the risk of COVID-19 hospitalization compared to children aged 5-17 and the risk is ninety-five times greater among those 85 and older.

While people 55 years or older make-up just over one-third of the US population (35%), they comprise 58% of people with HIV. COVID deaths are heavily concentrated among older adults. In addition, HIV has been associated with premature aging, even among those with viral suppression, which can lead to comorbidities typically seen in those 10-13 years older without HIV. As some of these comorbidities, such as cancer and heart disease, are also associated with severe COVID morbidity and mortality, people with HIV may be at greater risk for severe COVID-19 compared to those without HIV.

Sexual Orientation

While national data on COVID-19 cases and outcomes by sexual orientation is not available, LGBT people have been hard hit by the pandemic in other ways, including with respect to job loss and negative mental health effects. Our recent survey found that a larger share of LGBT adults compared to non-LGBT adults report that they or someone in their household has experienced COVID-era job loss (56% v. 44%). In addition, three-fourths of LGBT people (74%) say that worry and stress from the pandemic has had a negative impact on their mental health, compared to 49% of those who are not LGBT, and LGBT people are more likely to say that the negative impact has been major (49% v 23%).

People with HIV are more likely to be LGBT than those in the general population and thus could be especially vulnerable to these negative effects of the pandemic. Over half (53%) of people with HIV identify as lesbian, gay, bisexual, or have a sexual identity other than heterosexual. Separately, two percent identify as transgender. This compared to 4.5% of people in the general population who identify as LGBT.

Income

People who live on lower incomes are thought to be at higher risk of exposure to SARS-CoV-2 and for serious illness if they become infected, compared to those who live on moderate to high incomes. Given that on average people with HIV live on substantially lower incomes than the general population, this too could put them in a higher risk group for COVID-19. Forty-three percent (43%) of adults with HIV live below the poverty level compared to 11% of U.S. adults overall.

Factors that contribute to these increased risks include socioeconomic and demographic circumstances and higher rates of certain comorbidities. People who live on lower incomes may be more likely to live in dense settings, work in essential jobs that did not allow for work remotely during the pandemic, or work in high-risk environments, such as in the service and healthcare industries. People on lower incomes may also be at higher risk due to increased rates of certain health conditions. For example, one KFF study found that non-elderly adults earning below $15,000 a year had double the risk of serious illness if they contracted COVID-19 compared to those earning $75,000 per year based on the presence of certain high-risk health conditions.

How likely is it that people with HIV live in COVID-19 hot spots?

People with HIV commonly live in counties hard hit by the COVID-19 pandemic. Three-quarters (75%) of the top 20 US counties by HIV prevalence are also among the top 20 counties by COVID case and/or death burden. These 15 counties are home to 32% of people with HIV (see figure 3). While some of the overlap might be accounted for by urbanicity, 20% (4 in 20) of the counties hardest hit by COVID and HIV were not among the nation’s 20 most populous counties. In addition, counties hard hit by the COVID-19 pandemic also face high levels of racial and ethnic, income, and other structural inequalities driven by deeply rooted discrimination.

What do we know about COVID-19 vaccines and HIV?

NIH clinical guidelines on COVID-19 and people with HIV state that “people with HIV should receive SARS-CoV-2 vaccines, regardless of CD4 or viral load, because the potential benefits outweigh potential risks” and also notes that people with HIV “who are well controlled on antiretroviral therapy (ART) typically respond well to licensed vaccines.” At the same time, CDC states those with weakened immune systems, including people with HIV, “may have a reduced immune responses to the vaccine.” As such, a group of researchers cautions, that it will be important to monitor people with HIV for possible reduced immune response to the COVID-19 vaccines and that reduced immune response has been observed in other vaccinations. The HIV Medical Association and the Infectious Diseases Society of America provide a regularly updated frequently asked questions documents on HIV and COVID-19 vaccinations aimed at clinicians.

People with HIV were at first excluded from COVID-19 vaccine trials but were permitted to join midway through phase 3 clinical trials. Ultimately, all companies with vaccines authorized for use in the U.S. included people with HIV in their phase 3 trials. The largest group was in the Jansen (J&J) trial which enrolled 1,218 participants with HIV, representing 2.8% of the trial population, split evenly in the vaccine and placebo groups. In analysis the company provided to the FDA in February 2021, vaccine efficacy could not be observed specially among people with HIV based on limited data availability. However, data were not suggestive of any harm. Smaller numbers of people with HIV were enrolled in Moderna and Pfizer vaccine trials. In addition, AstraZenenca, Novavax, Sanofi/GlaxoSmithKline, which do not have authorization in the US, also recruited HIV positive participants. Overall, because participation to date has been relatively low, drawing conclusions about immune response among people with HIV is not yet possible.

Finally, CDC includes HIV among a list of conditions that can make someone more likely to get severely ill from COVID-19. In the past, the CDC list was divided into conditions known to have an increased risk for severe COVID-19 and conditions that might pose an increased risk. HIV was not included in the original list on its own, but “immunocompromised state,” defined to include immunocompromised due to HIV, was included in the second list. When making recommendations regarding prioritizing high-risk populations for COVID-19 vaccination, CDC referred to the main list which was also used by most states. States varied in how they incorporated the second list, including immunocompromised state, in their vaccine prioritization. Separately, some states elected to include HIV as a standalone priority condition. As a result, states varied on how early they prioritized people with HIV in their vaccine efforts.

The HIV Medical Association (HIVMA) and the Infectious Diseases Society of America (IDSA) provide a regularly updated frequently asked questions documents on HIV and COVID-19 vaccinations aimed at clinicians.

What role is the federal government playing in addressing COVID-19 among people with HIV?

Several federal agencies or programs have specifically responded to the impact of COVID-19 on people with and at risk for HIV, including, the Centers for Disease Control and Prevention (CDC), the Health Resources Service Administration’s (HRSA) Ryan White HIV/AIDS Program, the National Institute of Health (NIH), and Housing and Urban Development’s (HUD’s) Housing Opportunities for People with AIDS (HOPWA) program:

  • CDC: CDC provides general guidance on people with HIV and COVID-19, including an evolving statement on risk and, as noted above, includes HIV in a list of conditions that can make someone more likely to get severely ill from COVID-19. HIV was not included in an earlier version of this list.

In addition to providing public health guidance on people with HIV and COVID-19, CDC has also modified some of its prevention activities in light of the pandemic. CDC released guidance related to home or self-HIV testing, recognizing that “HIV testing that requires face-to-face contact has been scaled back or suspended because of the COVID-19 pandemic response.” Similarly, the agency also released guidance around PrEP and COVID-19 for ”when facility-based services and in-person patient-clinician contact is limited,” describing options for home STI specimen collection and self-testing for HIV.

CDC HIV program staff are also contributing significantly to the nation’s COVID response which has, per the agency, caused disruptions to care and treatment activities as the National Center for HIV/AIDS, Viral Hepatitis, STD, and TB Prevention. As of April 2021, nearly 700 CDC staff (with 1,125 cumulative deployments) from the National Center had been deployed to work on the COVID response since the epidemic began, in part, leveraging infectious disease expertise.

  • NIH: NIH’s national HIV guidelines now include a section on “Interim Guidance for COVID-19 and Persons with HIV.” In addition, the NIH’s COVID-19 treatment guidelines include a “special population” section on “Special Considerations in People With Human Immunodeficiency Virus.” These sections review recommendations for ongoing HIV treatment during the pandemic (and in the case of COVID-19 infection) as well as COVID-19 prevention, treatment, and vaccination among people with HIV and are considered “living documents,” updated on a regular basis as more data become available.
  • The Ryan White Program (HRSA): Ryan White, the nation’s safety-net for HIV care and treatment, faced significant challenges in the wake of the Coronavirus pandemic. In our survey of Ryan White care providers conducted in late 2020, we found that operating challenges were common. Among those surveyed, 28% shut down all or most of their HIV prevention services in response to the pandemic at some point and others faced difficulty connecting with service partners or increased operating costs. Dealing with client and staff trauma and isolation was a significant challenge. However, in many cases, programs reported transforming to meet shifting client needs and to improve safety for staff and clients, including through offering telehealth, providing COVID-19 testing, and engaging in multi-month prescribing, among other activities.

Recognizing the potential for increased need among people with HIV during the pandemic and, in order to “to prevent, prepare for, and respond to coronavirus,” Congress provided the Ryan White Program with $90 million in emergency funding in the CARES Act, the 3rd major COVID-relief package signed into law in March 2020. The Ryan White Program distributed the funding to 581 program grantees across the country, including to health departments, health clinics, community-based organizations and national training centers. In October 2020, over 90,000 Ryan White clients received a service funded through the CARES Act grants. Grantees have used CARES Act funding to conduct and build out telehealth services including for ambulatory and mental health services, medical case management, and support services as week as to conduct COVID-19 testing, purchase protective equipment for staff and clients, fund client nutrition assistance programs, and support staff positions needed as part of pandemic response, as well as for other purposes. Between January 20, 2020 and December 31, 2020 CARES Act funded providers served nearly 19,000 clients with newly diagnosed COVID-19.

In addition, the program has encouraged grantees to utilize existing flexibilities and waived certain requirements when possible, recognizing that business as usual has been challenged by the pandemic. In particular, the program has asked grantees to “reassess their organization’s eligibility and recertification policies and procedures and remove any procedures that may impede social distancing or other public health strategies necessary to minimize COVID-19 transmission, or that impose” unnecessary requirements. Historically, while some grantees have already simplified these processes, others have policies in place that can create barriers not required by the program. Certain penalties and requirements were waived for all grantees either automatically or by request, though some were only able to be extended to CARES Act funded activities. Waivers generally relate to penalties and how funds can be used.

The program maintains an updated list of frequently ask questions about Ryan White and COVID-19. In addition, In January 2021, The Program issued a letter outlining how grant recipients can engage in vaccination efforts, noting that Ryan White grantees and subgrantees may “play an important role in COVID-19 vaccine administration” and that all play “a critical role in addressing COVID-19 vaccine hesitancy and distributing information about local access to vaccines.”

  • Housing Opportunities for People AIDS Program (HOPWA) (HUD): The CARES Act also provided $65 million for the HOPWA program to maintain operations, for rental assistance, supportive services, and other necessary actions, in order to prevent, prepare for, and respond to coronavirus. Grants were distributed to 140 formula grantees, 82 current HOPWA competitive renewal grantees, and existing technical assistance providers. The HOPWA program also provided grantees with clarity around waivers and flexibilities to improve services during the pandemic.

What do we know about HIV care, treatment, and prevention service use during the pandemic?

It appears that for some, HIV care and especially prevention access, in the U.S., has been impacted by the COVID-19 pandemic. While in some cases services and prescription fills have improved, it does not yet appear they have returned to the pre-pandemic baseline:

  • Care and Testing: As noted above, despite pivots to providing care in new ways that mitigated some of the impact, Ryan White providers reported that their ability to provide certain services declined during the pandemic, though there are some reports that it has picked up to a certain extent. While some patients were harder to reach through telemedicine, others thrived with the technology and some who had been out-of-care, were brought back in.

CDC researchers found that HIV testing and viral load monitoring declined in the wake of the pandemic. While HIV testing and viral load monitoring has begun to pick back up, as of September 2020, it had not recovered to 2019 levels. In a separate analysis, CDC also found that ambulatory care visits and viral load testing declined while telemedicine visits increased in 2020. However, despite the increase in telemedicine, total visits did not fully rebound to pre-pandemic levels. Other research has echoed this with one analysis of 8 clinical sites finding that outpatient office visits for HIV care declined 78% between January and June 2020, even when accounting for telehealth visits.

Researchers in Oregon found that public sector HIV and bacterial STI testing declined substantially in the state in the wake of COVID related distancing measures but once testing rebounded to a certain extent, primary and secondary syphilis diagnoses increased, “indicating ongoing sexual risk during physical distancing.”

  • ARVs (for treatment and prevention): Data from Gilead, the company supplying ARVs to the majority of people with HIV in the U.S., show that sales for HIV medications (presumably for both prevention and treatment) dropped initially in 2020 and picked up by the end of the year but had not fully recovered.

One San Francisco clinic found that the share of patients with viral load suppression declined 30% during the pandemic, suggesting lack of access to or adherence with ARVs.

A CDC analysis found that PrEP prescriptions in the U.S. declined 21%, and that there was a 28% drop in new PrEP starts, between March and September 2020, compared to what was expected. Decreases were sharpest for younger people, those paying with cash or using patient assistance programs, and those in certain states.

Analysis of prescription data from GoodRx point to declines in prescriptions for the medications used for PrEP during early months of the pandemic. While those drugs are also sometimes used for treatment, other non-PrEP treatment drugs saw a smaller, though still detectable decline.  Prescriptions for the medications used for PrEP declined 18% compared to baseline while other drugs used for HIV treatment declined 5% compared to baseline.

This work was supported in part by the Elton John AIDS Foundation. We value our funders. KFF maintains full editorial control over all of its policy analysis, polling, and journalism activities.

Federal Court rules the West Virginia Trans healthcare suit will proceed – Washington Blade

It is no secret that many LGBTQ individuals around the world live in fear of the negative implications that result from identifying outside the limits of cisgenderism and heteronormativity. For Africans living in Africa, this panic is even more pronounced as many are abused, jailed, or even murdered for simply existing as queer.

According to Global Citizen, homosexuality is still punishable by death in four countries on the African continent: Somalia, South Sudan, Mauritania, and Nigeria (in states where Sharia law applies). Only 22 out of the 54 countries on the African continent have legalized homosexuality, and South Africa is currently the only country where same-sex marriage is legally recognized by the government.

Although there has been some human rights progress for LGBTQ Africans, most recently with Angola decriminalizing same-sex sexual relationships, ill-sentiment toward queerness still runs rampant across the continent. So, many individuals are forced to leave their home countries and apply for asylum in Western countries like the U.S. and U.K., countries which, despite their queer-phobic cultures, are more accepting and safe to live in.

Ricky “Rikki” Nathanson is a transgender activist from Zimbabwe who received asylum from the U.S. in February 2019. Before filing for asylum in the U.S., police officers had arrested her in Bulawayo, Zimbabwe, after she had used a women’s restroom in a hotel. While in custody, the police officers physically tortured her and forced her to undergo invasive medical and physical examinations.

After her release from police custody, she filed a lawsuit against Zimbabwe’s Home Affairs minister, the commissioner of the Zimbabwe Republic Police, the assistant commissioner of the Bulawayo Central Police Station and the leader of the Zimbabwe African National Union-Patriotic Front (ZANU-PF) party’s Youth League, and later won this lawsuit. However, because of the mounting threats to her life in Bulawayo, she sought safety through the U.S.’s asylum process and relocated to the East Coast.

“When I compare myself to other people and friends who have been in similar situations to mine, my asylum process was extremely quick,” Nathanson mentions when speaking of her journey toward winning asylum. “I think that the most strenuous thing for me was the actual interview; it was nerve-wracking.”

Nathanson applied for asylum in 2018 after she attended OutRight Action International’s annual summit in New York, the organization of which she is a board member. She won her case and received asylum approximately six weeks after — a fairly quick result compared to numerous other cases that can take years before a final decision is reached.

Nathanson’s involvement with OutRight Action International proved to be a tremendous advantage as it provided her with an extensive network of friends in the U.S. who were able to support her asylum-seeking process and alleviate the stresses associated with it. This is usually not the case for many queer Africans who seek asylum in the U.S.

“The people at OutRight Action International were good to me, and they helped me with a bit of financial support. So, I was able to pay for my legal fees,” says Nathanson.

In addition, Nathanson’s lawyer, Elinor Tesfamariam, who is of Ethiopian descent and specializes in asylum cases, “knew what she was doing.” Therefore, her expertise coupled with Nathanson’s compelling story, provided for an airtight case that couldn’t be contested.

In Nathanson’s words, “My story spoke for itself.”

Casa Ruby hired Nathanson shortly after she won her asylum case. She is currently the D.C. group’s director of housing services.

The asylum process is demanding. Not only does one need legal representation, but they need financial resources to pay for said legal representation and also for their upkeep and wellbeing while in the U.S. This poses a challenge as one cannot apply for employment authorization until a year after they have completed the asylum application. So, this alienates many asylum seekers from severely needed employment and leaves them financially insecure as they navigate the torrent of preventing the possibility of having to return to their home country.

For those without strong connections in the U.S., a common way of finding help, whether financial or material, is through word of mouth. Because of their popularity, organizations like AsylumWorks have become safe havens and places of provision, fulfilling many asylum seekers’ basic needs such as buying groceries, paying for rent, and purchasing gender-affirming clothes and cosmetics.

“When applying for asylum, it’s really important to have efficient knowledge of the system; knowing what to do, who to contact, how to contact them, and how the system works,” Nathanson mentions, regarding the legal aspect.

“For the process to work as smoothly as possible, you need assistance,” she adds. “You need to be able to access a lawyer who will be able to file for you because the process is very particular, and any small mistake will result in your documents being returned to you. I have a friend of mine who forgot to sign a page and after he resubmitted his documents, he has been waiting 18 months for a response.”

Because of how inconvenient the process can be, Nathanson’s hope is that the current administration will revise the asylum process, especially the time it takes to win asylum.

AsylumWorks is what Executive Director Joan Hodges-Wu calls “a holistic suite of wraparound services and support to help asylum seekers address unmet needs that can interfere with their ability to participate in the immigration legal process.” The organization “empowers asylum-seekers to rebuild their lives with dignity and purpose,” and provides much-needed community that helps them to feel seen and heard.

“When people think of asylum, they think of attorneys … but people forget that it is incredibly difficult to work with an immigration attorney and fully participate in the process if there are barriers impeding your ability to connect,” says Hodges-Wu.

Through Prism, an LGBTQ support group, AsylumWorks is able to help queer asylum seekers meet their basic needs so that they can adequately focus their energy into the legal immigration process.

Prism provides community for LGBTQ asylum seekers by giving them the opportunity to meet with other queer asylum seekers and forge friendships that lighten the burden of acclimating to the U.S.

“One of the problems our LGBTQ clients face is that many of them are highly distrustful, naturally, of disclosing intimate parts of their history, and their true gender, or sexual orientation,” Geoffrey Louden, Prism’s facilitator, mentions. “Or even if they’re not sure of that, coming to terms with, going into an immigration attorney and recounting their history.”

Given this, Prism hosts weekly Zoom hangouts where individuals talk about any topics that interest them. Topics can range from introspective conversations about identity to light-hearted anecdotes about love prospects.

Prism offers a safe community for LGBTQ asylum seekers to be themselves, feel affirmed, and relate to others amid queer phobia, which can be prevalent in immigrant communities. So, regardless of how tough resettling in the U.S. may become, LGBTQ asylum seekers are guaranteed some sense of warmth and comfort in this organization.

Lil Nas X Talks UGG Pride Campaign and New Song, “Sun Goes Down” – Teen Vogue

So, what was it like for Lil Nas X to work on not just this song and video, but an entire upcoming album that shows him being this vulnerable?

“With this album I’ve really stepped into my vulnerability, or like these things that I was insecure about people knowing about, or finding out about me,” Lil Nas X shares. “But with this, I felt very much comfortable, and I feel it’s time to do this in my career, it’s time to take that vision, where I’m able to show people another side to myself and what I deliver, you know?”

Lil Nas X’s decision to show his fans and the world stage another side to himself is incredibly validating. The choice means a lot as Lil Nas X is one of the most visible queer celebrities in the United States. He’s also a member of Gen Z, the queerest generation according to a Gallup poll that said that just under 16% of their Gen Z respondents identified as LGBT in some way. It’s that visibility and those fans that helped inspire Lil Nas X to link up with UGG and Pacific Pride Foundation for “PROUD Prom.”

It’s clear that for Lil Nas X, fashion has become an important part of his self expression, especially when it comes to signaling his queerness. Thanks in part to his stylist Hodo Musa’s excellent work — on display in the acapella version of “Montero (Call Me By Your Name)” — he’s become known as someone who uses his style in compelling and queer ways. But things weren’t always that way. Initially, Lil Nas X confessed, he actually aimed for more “straight-passing” fits. But 2020 and the past year changed a lot for him. It inspired him to be more “out there” with his fashion and join up with other friends of the UGG® brand like actress Hari Nef and brand ambassador Jordun Love for the “PROUD Prom” campaign.

“Over the last year, like during COVID and whatnot, and making my album, like I felt… I felt the gist of like, okay, I’m in this place. And my purpose is more than just my music, you know. It’s so many other things. I feel like this is one,” Lil Nas X says. “Like, I have that opportunity to be that voice, or one of those voices that the upcoming generation needs to hear from so that they know that they’re valid. Like ‘you’re good, there’s nothing wrong with you’. And go on, go into the mainstream and do these amazing things. Like this campaign, you know?”

Speaking of amazing things, one of the other highlights of speaking with Lil Nas X was asking about the thought process behind the lighthearted teasing he does with his fandom, where he promises them random things. For “Old Town Road,” he promised fans copies of Phineas & Ferb season 3 on blu-ray if the single went Diamond. For “Montero (Call Me By Your Name)” he promised followers a 12-pack of Hanes socks. So what did Lil Nas X say he’ll get fans when “Sun Goes Down” tops the charts?

“I’ll get everybody a piece of the sun.”

Let us slide into your DMs. Sign up for the Teen Vogue daily email.

Want more from Teen Vogue? Check this out: Lil Nas X Is Using Stan Twitter Tactics to Defend “Montero.” He Shouldn’t Have To

Policy denying citizenship to the kids of gay couples changed – Sand Hills Express

▶ Watch Video: Surrogate children of gay American couples denied U.S. citizenship

The U.S. State Department has revoked a policy that made it difficult for the children of same-sex parents to recognized as U.S. citizens at birth. The previous policy stated that both parents had to be biologically related to a child in order for them to be recognized as a U.S. citizen at birth.

So, if one person in a couple was not a U.S. citizen, and that person was the biological parent of their child, the child was also not a citizen. Such was the case for Elad Dvash-Banks and his partner, Andrew Banks, who had twins together, conceived via surrogate in Canada.

The couple moved to Canada in 2010 so they could legally marry. When the decided to become parents, they used one surrogate but each of their sperm – so one twin, Ethan, is biologically related to Elad and the other, Aiden, is biologically related to Andrew.

However, since Dvash-Banks is an Israeli citizen, under the former policy, Ethan was not a U.S. citizen either – despite the fact that Andrew Banks is also his father.

Gay Couples Kids Citizenship
Elad Dvash-Banks and Andrew Banks pose for photos with their twin sons Aiden, and Ethan, who was previously not considered a U.S. citizen under a state department policy that has recently been changed. 

Jae C. Hong / AP

A federal judge ruled that Ethan was a citizen at birth in February 2019, but the State Department appealed that decision later that year.

The department insisted a married U.S. citizen must have a biological connection to their child to pass on birthright citizenship, according to Immigration Equality, an LGBTQ immigration rights organization.

However, under the Immigration and Nationality Act, there is no requirement for a biological relationship for married parents, according to Immigration Equality. Every federal court that heard the issue decided the State Department’s policy was inconsistent with the statute. 

So, as of Tuesday, the State Department’s policy has changed. “Children born abroad to parents, at least one of whom is a U.S. citizen and who are married to each other at the time of the birth, will be U.S. citizens from birth if they have a genetic or gestational tie to at least one of their parents and meet the INA’s other requirements,” the department said.

The Dvash-Banks family are not the only Immigration Equality clients who fought a battle for their children’s citizensip. Allison Blixt and Stefania Zaccari are what Immigration Equality calls a “bi-national couple.” Allison is American and Stefania is Italian. 

Like the Dvash-Banks family, the women could not get married in the U.S. because of the Defense of Marriage Act. So, they tied the knot in London. That is where their sons, Lucas and Massi, were born. Massi was carried by Blixt. Lucas was carried by Zaccari — and because she was an Italian citizen, he was not recognized as a U.S. citizen. The couple also sued the State Department.

The State Department’s policy also deemed Blixt and Zaccari’s children to be born out of wedlock – which was also at odds with the Immigration and Nationality Act, according to Immigration Equality. The U.S. now recognizes their marriage as legal. 

 Now that the policy change has been made, both of their children can be recognized as U.S. citizens.

“We are relieved and thankful that our fight for our family to be recognized by the government has finally ended,” Blixt said in a statement. “We knew we would succeed eventually, as trailblazers before us fought and won marriage equality.  Our marriage is finally recognized and treated equally. Lucas, who made me a mother, is will finally be treated as my son and recognized as American, as his brother always has been.” 

The new policy will allow increased numbers of married couples to transmit U.S. citizenship to their children born overseas, the State Department said. However, requirements for children born to unmarried parents remain unchanged.

CBS News has reached out to Immigration Equality and the U.S. State Department for comment and is awaiting response. 

From Black LGBT Candidate Running for Atlanta’s Mayor to NYC Pride Banning Police Presence, This Week in Across the Country – SouthFloridaGayNews.com

This week read about Antonio Brown possibly becoming Atlanta’s first LGBT mayor, and New York City Pride banning police presence until 2025.

Atlanta Mayoral Race Adds Black LGBT Candidate

Atlanta could find its first openly LGBT mayor in city council member Antonio Brown, who announced his candidacy on Friday.

Brown, 36, is the first Black LGBT member of Atlanta’s city council, and has championed progressive measures like police reform and loan opportunities for local small business owners. His announcement comes days after current Mayor Keisha Lance Bottoms announced she wouldn’t be running for re-election.

Brown joins the race against fellow city councilmembers Andre Dickens and Felicia Moore, as well as attorney Sharon Gay. In July 2020, Brown was indicted on fraud charges by a federal grand jury. The case is still pending, but Brown has pleaded “not guilty” and made a court appearance on April 19.

“I am absolutely innocent,” Brown told 11Alive News, “I would not be running for mayor if I felt like I would not be vindicated from these charges.”

Voters will make their choice for mayor on Nov. 2, with a runoff election scheduled for Nov. 30.

NYC Pride Bans NYPD Presence Until 2025

NYC

NYPD vehicles. Photo via Pixabay.

The organizers of New York City Pride have banned the NY Police Department from its annual parade and associated events for the next four years.

In a statement released May 15, event organizers said, “The sense of safety that law enforcement is meant to provide can instead be threatening, and at times dangerous, to those in our community who are most often targeted with excessive force and/or without reason.”

The decision comes after increased calls to reform and defund police departments nationwide, as some communities across the country begin to invest in alternative ways to protect their citizens.

Heritage of Pride spokesperson Dan Dimant told CNN, “There’s always been aggression by law enforcement and it’s been an issue in the community for years. The events of last year, with protests over George Floyd, there have been a lot of run-ins with the NYPD, so we began to think long and hard about this decision.”

This year’s NY pride events will occur between June 14 – June 28, with the annual pride march taking place on June 27.

Spurs Notes: DeRozan, Mills, Gay, K. Johnson – hoopsrumors.com

After falling to the Grizzlies in the play-in tournament, the Spurs face important decisions on their veteran players. DeMar DeRozan will be one of the biggest names on the free agent market this summer, and San Antonio must decide whether to make a long-term investment in the 31-year-old guard on a team filled with young talent.

The Spurs will have an exclusive window to reach a new deal with DeRozan before free agency begins August 1, according to Bobby Marks of ESPN (Insider article). DeRozan is eligible for an extension that could pay him up to $149.1MM over the next four seasons, including a $33.3MM starting salary for 2021/22.

If DeRozan reaches the open market, Marks identifies the Hornets, Mavericks, Heat and Knicks as teams that would have cap space and interest in signing the high-scoring guard. He suggests New York, which will have $55MM available, could be tempted to reunite DeRozan with his long-time friend and former Raptors backcourt partner, Kyle Lowry.

There’s more from San Antonio:

  • Similar decisions will have to be made on Patty Mills and Rudy Gay, who are both headed to free agency, Marks adds in the same piece. Mills, who will turn 33 this summer, has spent most of his career with the Spurs and was considered a Sixth Man of the Year candidate during the first half of the season. Gay, who turns 35 in August, is a dependable three-point shooter and an effective weapon off the bench.
  • After spending much of his rookie year in the G League, Keldon Johnson made significant progress during his second NBA season, writes Tom Orsborn of The San Antonio Express-News. The 21-year-old small forward started 67 games this year and appears to be part of the Spurs’ foundation heading forward. “I’ve learned a lot,” Johnson said. “I’ve grown a lot — on and off the court — from just observing (coach Gregg Popovich) and how he goes about things. … He’s taught me so many things.”
  • Popovich is encouraged by the progress his team made this season, but he cautions that becoming a title contender won’t happen right away, Orsborn tweets. “That takes time,” Popovich said. “… The more these guys get to practice together, the more they develop, hopefully the record will bend in the correct direction.”